Georgiana NICOARĂThe Critical Reception of George Eliot in Communist Romania Read more about The Critical Reception of George Eliot in Communist Romania
Tomaž TOPORIŠIČMultilingualism, Altermodernism, Translation and Contemporary Performing Arts Read more about Multilingualism, Altermodernism, Translation and Contemporary Performing Arts
Alina BRUCKNERCirculation and Versions of the Biography of Dimitrie Cantemir. From Paratext to Independent Text. A French – English – German – Romanian Route Read more about Circulation and Versions of the Biography of Dimitrie Cantemir. From Paratext to Independent Text. A French – English – German – Romanian Route
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Alex CIOROGRARThe Ascension of the Translator in the Age of Digital Globalization Read more about The Ascension of the Translator in the Age of Digital Globalization
Anca CHIOREAN The Strangeness from One’s Own Back Yard, Rendered by Translation. “Print and publish in Romania – Why not.” Read more about The Strangeness from One’s Own Back Yard, Rendered by Translation. “Print and publish in Romania – Why not.”
Katalin LUFFYThe Long Reformation at the Micro Level and From a Regional Perspective: On a New Text of the Romanian Reformation in the Hațeg Region Read more about The Long Reformation at the Micro Level and From a Regional Perspective: On a New Text of the Romanian Reformation in the Hațeg Region
Daiana GÂRDANBeyond National Borders: Reshaping the Superhero Figure after the Global Turn Read more about Beyond National Borders: Reshaping the Superhero Figure after the Global Turn
Rodica FRENŢIU, Florina ILIS, Oana-Maria BÎRLEA, Ioana Ruxandra TOŞU, Ioana-Ciliana TUDORICĂLiterary Translation on the Stave of History. The Scrolls of Japanese Literature Translations in Romanian (1900-2000) Read more about Literary Translation on the Stave of History. The Scrolls of Japanese Literature Translations in Romanian (1900-2000)
Kseniia SKAKUNTranslation as a Means of Reaching the Collective Memory: The Ukrainian Versions of Shakespeare’s Julius Caesar Read more about Translation as a Means of Reaching the Collective Memory: The Ukrainian Versions of Shakespeare’s Julius Caesar